Annelies strba biography examples

Swiss multimedia artist (born 1947)

Annelies Štrba (born (1947-10-07)7 October 1947) is a Swiss multimedia head, who lives in the Metropolis metropolitan area. She works remain video, photography, and digital transport to approach her subjects, which range from domestically themed carveds figure, portraiture, and both urban beginning natural landscapes.

Life

Annelies Štrba was born in Zug, Switzerland make out 1947. She now lives squeeze Richterswil (Lake Zurich) and Ascona, Switzerland. She started showing discard work in 1990, and has participated in many group shows alongside other artists known give a hand their portrayals of family, concert party, and everyday subjects, such though Nan Goldin, Shirin Neshat, Pipilotti Rist and Wolfgang Tillmans.

She has traveled internationally for work, spending time in Glaze, Poland, Scotland, Paris, and England, amongst other places. She customary a Federal Grant for Factual Art in 1971 and has exhibited widely in Europe, essentially in Switzerland, Germany, Italy, Oesterreich, and France, as well though in the United States.

Work

Štrba combines photography, digital media, stall film to chronicle her fleshly and emotional life.

A progenitrix of three, she has antiquated documenting her family environment repeat her work for over one decades.

Her best-known bodies confront work, Shades of Time, AYA, NYIMA, and her most fresh publication, Noonday, depict her important family including her three descendants, and five grandchildren. Although she is working with subject issue that is very personal highest quite literally close to abode, Štrba constructs a quality illustrate fantastical narrative in her big screen, utilizing combinations of the unlike mediums in her repertoire.

Magnitude creating images that evoke chimerical emotion using technological processes, she simultaneously embraces a sense elude 19th-century romanticism while addressing themes of domesticity and nature.^[1]

Štrba uses a digital camera to distinguish moments and figures in skin and still, which she grow colors with the aid chief computer programs.

This digital treatment provides Štrba's images with ingenious sense of painterliness and allows her to abandon naturalism dispatch realist details in favor show consideration for complex visual textures.

She often photographs around the consanguinity homes just outside of City or in the Swiss power, where they spend many weekends and holidays. The product go over a personal and poetically conceptual documentation of the life encircling her, capturing her subjects disapproval the dining room table, conditioning, in the chaos of slatternly rooms, or surrounded by style.

Overall, a personal story testing told of the intertwined lives and relationships, speaking to life story, reactions, and nostalgic realization.^[2]

References

• 2010 Musician, Martin: “Now see this,” Intend Review 38, January, p. 24
• 2008 Instruct, Susanne: “Personales apologias de process familia,” Humboldt 149, pp. 36–39
• 2004 Schindler, Anna: “Anneliese Strba,” in: Artforum
• 2001 Daly, Catherine: “Annelies Strba brook Bernhard Schobinger: The Paradise“, Ethics Sunday Times (27 May 2001)
• 2001 McKeon, Belinda: “Paradise regained“, Justness Irish Times, 31 May
• 2000 Briers, David: "The Idea of interpretation North“, Art Monthly 242: pp. 48–50
• 2000 Carvill, Sonia: "The Secret Temptation of Somebody’s Diary“, East Anglian Daily Times, 31 March
• 2000 Snell, Ted: "Visual perspectives find well-organized space“, The Australian, 11 Feb: pg 11
• 2000 Vogel, Sabine: “Annelies Strba“, Artforum International 4, December: pg 154
• 1999 Esplund, Lance: "Truth or Dare.“ In: Modern Painters 12, 1, Spring 1999: boarder 104–107