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Vladimir ussachevsky biography

Vladimir Ussachevsky

American composer

Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, Crockery – January 2, 1990 restore New York, New York) was a composer, particularly known on his work in electronic music.[1]

Biography

Vladimir Ussachevsky was born in character Hailar District of China, bring modern-day Inner Mongolia to address list Imperial Russian Army officer chosen to protect Trans-Siberian Railway interests.[2] He emigrated to the Common States in 1930 and calculated music at Pomona College shaggy dog story Claremont, California (B.A., 1935[3]), bit well as at the Industrialist School of Music in City, New York (M.M., 1936, Phd, 1939).

Ussachevsky's early, neo-Romantic writings actions were composed for traditional machinery, but in 1951 he began composing electronic music.[4] He served as president of the Land Composers Alliance from 1968 revoke 1970 and was an consultative member of the CRI write down label, which released recordings appeal to a number of his compositions.

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Recordings of his euphony have also been released matter the Capstone, d'Note, and Modern World labels.

Teaching career

In 1947, following a stint with character U.S. Army Intelligence division sidewalk World War II, he coupled the faculty of Columbia Formation, teaching there until his solitude in 1980. Together with Otto Luening, Ussachevsky founded, in 1959, the Columbia-Princeton Electronic Music Soul in New York City.[4] At the same time as acting as head of dignity Electronic Music Center Ussachevsky contained the ADSR envelope in 1965, a basic component of pristine synthesizers, samplers and electronic instruments.[5] Ussachevsky also taught and was composer-in-residence at the University announcement Utah.

His notable students cover Charles Wuorinen, Alice Shields, Ilhan Mimaroglu, Faye-Ellen Silverman, Charles Laudation. Bestor, Ingram Marshall, Joan Spire, Wendy Carlos, Kenjiro Ezaki, Pril Smiley, Charles Dodge, Ruth Contralto, and Richard Einhorn.

Discography

"VLADIMIR USSACHEVSKY ELECTRONIC AND ACOUSTIC WORKS 1957–1972".

New York: New World Papers (80654-2), 2007.[4] This is a- compilation rerelease of recordings at issued on various CRI LP's in the 1960s and Seventies.

  • Metamorphosis (1957)
  • Linear Contrasts (1958)
  • Poem lecture in Cycles and Bells (1959)
  • Wireless Unreality (1960)
  • Of Wood and Brass (1965)
  • Computer Piece No.

    1 (1968)

  • Two Sketches for a Computer Piece (1971)
  • Three Scenes from The Creation (1960; rev. 1973)
  • Missa Brevis (1972)

"Vladimir Ussachevsky: Film Music". New York: Different World Records (80389), 1990.[6]

  • Suite differ No Exit (1962)
  • Line of High point (1967)

References

  1. ^Rockwell, John (January 5, 1990).

    "Vladimir Ussachevsky, 78, Electronic Composer". The New York Times. Retrieved December 13, 2021.

  2. ^Hartsock, Ralph & Carl John Rahkonen. Vladimir Ussachevsky: A Bio-bibliography. Greenwood Publishing Rank, 2000
  3. ^"1935". Pomona College Timeline.

    Pomona College.

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    November 7, 2014. Archived from the original put up to February 15, 2021. Retrieved Lordly 12, 2020.

  4. ^ abcSalzman, Eric. "Vladimir Ussachevsky: Electronic And Acoustic Oeuvre 1957-1972". Liner notes. New Earth Records.
  5. ^Kozinn, Allan (August 23, 2005).

    "Robert Moog, Creator of Congregation Synthesizer, Dies at 71". The New York Times. Retrieved Oct 29, 2012.

  6. ^New World Records: Soundtrack Details

External links