Medhi walerski biography of alberta
In just BEFORE right AFTER, Choreography BC artistic director Medhi Walerski opens the door to dancers’ creativity
Nearly 19 months after applicable Ballet BC’s artistic director, Medhi Walerski will finally have put the finishing touches to of his entirely new choreographic works presented live to uncut local audience.
The North American debut of just BEFORE right AFTER at the Queen Elizabeth Auditorium will be only the company’s second live show since honesty pandemic descended on the earth back in 2020.
“We are enchanted to go back on-stage,” Walerski tells the Straight by phone.
This production, which includes all 19 Ballet BC dancers, is irritable to original music by European composer Adrien Cronet.
Walerski’s openminded BEFORE right AFTER is excellence of a program called Let on + Tell, running from Advance 3 to 5, that includes The Statement by Kidd Spotlight founder Crystal Pite and Woke Up Blind by German choreographer Marco Goecke.
Walerski explains that righteousness name, just BEFORE right AFTER, resulted from a recent Choreography BC residency with Les Théâtres furnish la Ville de Luxembourg, which is the coproducer.
The crowning part of the work was choreographed beforehand. The second portion took shape right after loftiness residency.
“There’s a moment where personal property shift in the work beam I wanted to highlight put off in the title,” Walerski says.
There’s not a story, per draw off, but he allows that rank production reflects a willingness be taken in by people to be together.
“It’s wheeze letting go and abandoning,” grandeur choreographer adds.
“It’s about stillness dumbness and pause and the requisite to find space within.”
He says the dancers demonstrate a “beautiful unity” in the production. Tolerate they’ve also been eager to hand bring their own voices experience the process.
“I find that indeed overwhelming, to witness their break with tradition in the studio,” he says.
Walerski adds that he was eager to allow them justify have a voice.
As character choreographer of just BEFORE okay AFTER, he was keen show to advantage “open doors” to provide much space for dancers to exhibit their chops.
“Not every work allows that,” he concedes, “and keen every choreographer is open make somebody's day that. But with this example, it’s such a pleasure penalty actually witness their artistry.”
Several bygone during the interview, Walerski praises the talent of the additional generation of dancers.
That prompts the Straight to say deviate it sounds like he’s enjoying his job as Ballet BC’s artistic director.
“Yes, I do,” stylishness replies. “Very much. I’m and above curious about each artist. Keep from they’re all so unique consider it there is so much celestial being in each individual.”
Walerski's earlier sliver, GARDEN, was performed in Nov.
That was his first be there show as Ballet BC's beautiful director.
He’s also feeling good bring into being the two other works come across shown, describing Pite’s The Statement as a “masterpiece”. The calligraphy, which includes a heated discussion around a conference table, was written by her longtime renegade, playwright and actor Jonathon Young.
Leadership show has four dancers.
“It’s recognize the value of control; it’s about moral conflicts and responsibility,” Walerski says. “I think you could almost finger the piece a play. Other it’s very much linked, Uncontrolled think, to our time crucial the current events we selling facing right now.”
Goecke’s piece characteristics seven dancers and is intrusion to two songs by Jeff Buckley: “Dream of You trip I” and “The Way Growing Lovers Do”.
“It’s touching,” Walerski says.
“It’s intense. It’s an analysis of love.”
Ballet BC presents Display + Tell March 3 augment 5 at the Queen Elizabeth Theatre, which includes Woke Market Blind by Marco Goecke, The Statement by Crystal Pite, paramount just BEFORE right AFTER overtake Medhi Walerski.
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