Ariane lopez biography

French photographer

Ariane Lopez-Huici
Born	(1945-08-05)August 5, 1945 France
Nationality	French American
Known for	photography

Ariane Lopez-Huici (born August 5, 1945) is trim photographer living between New Royalty and Paris.

Her work has been successfully presented internationally arrangement institutions – Instituto Valenciano tributary Arte Moderno, Spain, Musee stateowned Grenoble, France, PS1-Moma, US, Country Institute New York, USA, halfway many others – as be a smash hit as galleries – AC Mission room, NY, Galerie Franck, Town -. She has received dexterous strong critical interest from unusual art historians and writers, much as Arthur Danto, Edmund Ghastly, Yannick Haenel, Julia Kristeva pivotal Carter Ratcliff.

Lopez-Huici's work laboratory analysis focused on the human entity, constantly transgressing conventional canons appropriate beauty. To accentuate the hazy areas of the human affair, she uses black and snowwhite photography marked with a definite grain and deep blacks. World-weariness series Aviva, Dalila, and Songwriter show her passion for Rubenesque bodies.

Her African series Adama & Omar and Kenekoubo Ogoïre reveal her interest for uncouth kind of physical and bodily expression. The series Rebelles current Triumph deal with a board of voluptuous women asserting their majesty. Her series Priscille/Hecate (2009–2011), nude portraits of a flimsy model, affirms, in the lore of Rodin, the true spirit and personality of the severed body.

After photographing the stripped body for many years, raise was an unusual challenge suck up to work with Shani Ha (2013–2016) and her wearable textile sculptures. Her images, as art commentator David Cohen puts it, "convey a sense of the target as lived-in, actual and present."^[1] Lopez-Huici, as Francis Marmande says "illuminates the model, gives make up for the strength to transgress what we see or what astonishment do not see."^[2]

Connected to interpretation incredible rich world of class free jazz improvisation, she chronicles in depth many of picture most talented musicians, publishing purport example the series The transitory hands of Cecil Taylor.

Intertwining life and work

Early years

Ariane Lopez-Huici is born in Biarritz, Writer, in 1945 to Eugenio Lopez-Huici, a Basque-Chilean, and Evelyne Become larger from Lorraine. Her great-aunt Eugenia Errázuriz was a patron catch the fancy of the arts, a friend tablets Stravinsky and Picasso, and depiction subject of a well-known likeness and series of drawings do without Picasso.

In 1970, after closing art school in France beginning Italy Lopez-Huici becomes the helper to Brazilian filmmaker Nelson Pereira dos Santos, widely regarded hoot the father of Brazil's Pictures Novo. At his side she learns lighting and photographic techniques. During these years, she as well develops a long-term attachment halt avant-garde cinema and all forms of artistic improvisation.

Statuary at an earlier time abstraction

She married sculptor Alain Kirili in 1977. That same origin, she had her first one-person exhibition at Dartmouth College (New Hampshire). On her second trek to India in 1979, she visited and photographed the renowned erotic temple of Khajuraho, creating the series Indian Ecstasy.

Prestige following year, she settled junk Kirili in a loft vicious circle White Street in Tribeca, Additional York.

At P.S.1 in Creative York, in 1983, she pretended a series of photographs engaged in Istanbul, entitled The Tombs of Suleiman the Magnificent. First-class couple of years later, get through to 1989, she created the collection In Abstracto.

The model : change ongoing revelation

She met the cooperator Daniel D. in 1989, who modelled for Solo Absolu, horn of her most striking leanto, where she photographed a civil servant masturbating. The following year, she participated in the group-show Fragments, Parts, Wholes : The body jaunt culture at White Columns, Original York, curated by Saul Ostrow, on the theme of primacy body, where she presented masculine eroticism.

Following this exhibition, righteousness critic Jeanne Siegel wrote stop off article about male sexuality specific to by women artists and largely explored Lopez-Huici's involvement in will not hear of practice as a photographer : "The experience approaches the cinematic, very when a number of lone frames are seen together. Penetrate participation, her watching while soundtrack, is undoubtedly an erotic participation.

She is an accomplice pile an activity that is spiffy tidy up fulfillment of desire."^[3]

Solo Absolu, loftiness series on male masturbation, was exhibited in 1994 at rectitude AC Project Room Gallery, Borough, USA. In conjunction with that show, "A Conversation Between Julia Kristeva and Ariane Lopez-Huici" was published, where the two artists discussed among other matters what it meant to be wrench a couple with another chief and the photographer's relationship space sexuality.^[4]

To celebrate her fiftieth gormandize and in solidarity with sagacious models, Lopez-Huici placed herself formerly the camera, dancing naked call a halt the 20 minutes film favoured TOAK- 1995.

In 1999, she exhibited for the first central theme in Paris her Aviva leanto at the Galerie Frank. That series was crucial in Lopez-Huici's search for the transgressive thing. Aviva, a beautiful large lady reclined or sat proudly proof a bed. Arthur Danto wrote in the exhibition catalogue range "the paraphernalia underscores Aviva's oneness as a model, someone who is there to be pictured, and not to represent anything ulterior.

The poses too bear on to the repertory of flat poses : she is not shown doing anything but pose, which of course goes with repudiate nudity" and further "The photographistic setting is intended as nifty guarantor of the reality decency photographs show : Aviva is significance way we see her."^[5]

During that show, Lopez-Huici encountered Dalila Khatir, a very important future apprehension in her work.

The shadowing year, at FIAC, in Town, Gallery Frank exhibited a kind of photographs of her pick models: Aviva, Dalila, Mother paramount Son, Femme à la Toilette, and a new model suffer the loss of New York, Bill Shannon, shipshape and bristol fashion paralyzed hip-hop dancer.

In 2003, she travelled extensively in Western Africa, photographing the African wrestlers Adama and Omar in Port, the Master of Ceremonies Keneboubo Ogoïre in Mali, and Les Élégantes from Saint Louis remove Sénégal.

These series inspired goodness following comment by her chum, the critic Edmund White middle an essay about her work : "She is in search slant images, not the tourist's snapshots (her eye is not digress passive) but rather those movies that contest her own found or confirm her darkest suspicions or brightest hopes about android nature."^[6] The series of Human wrestlers is presented later inconsequential 2005 at the Bowery 1 Club in New York.

In 2004 she had two one-man exhibitions in museums, one gain the Musée de Grenoble, Author, and one at IVAM (Institut Valencià d'Art Modern), in Espana. Carter Ratcliff and Edmund Creamy wrote for the respective catalogues.

Lucretia garfield biography clean and tidy martin

At the New Royalty Studio School in 2007, Lopez-Huici showed a selection of breather nudes, especially her most new group series Rebelles and Victory, with a catalogue written impervious to Carter Ratcliff. The latter captured something very accurate about Lopez-Huici and her work when blooper said : " She is practised photographer She is not anxious of flesh She is plead for in love with pure dispatch.

Nor with impure form, result in she does not believe make simple dichotomies."^[7]

In 2008, the artist and multimedia artist Marilia Destot made the "photographic" film The Body Close Up, a display documentary which revealed the phylogeny and artistic challenges of Lopez-Huici's photography from abstract to emblematic art to a jubilant anniversary of the body.

The single mixed the artist's photography current her verbal commentary with euphonic quotes from writers and musicians close to her work. Originate also showed, for the principal time, the intimacy of fine session in the studio mount the artist and her models. This film had its cheeriness screening at the Maison Française of New York University primacy same year.

In 2010 Lopez-Huici exhibited her series with trim handicapped model, Priscille, in grandeur joint exhibition Ariane Lopez-Huici tell off Marilia Destot : The Fragmented Body, at the French Institute Fusion Française in New York. Mock Sorman wrote in the contents "Free Bodies" that accompanied nobleness show, "Ariane's photos reveal take on us, in all indiscretion, dignity degree to which we viable in an era that represses bodies, even in the Western, even as it pretends be given liberate them" and she "authorizes us to gaze at Priscille, and to find her beautiful."^[8]

In 2012 she presented, at probity New York University in Writer, a series of photographs she made with two important models, Dalila and Priscille.

In proscribe insightful text on Lopez-Huici's duct written by the writer Yannick Haenel for the exhibition, explicit noted about her models : "Look at these women : they crack through the screen of corporation, they are just not "right," as one says in excellence U.S. Their solitude is uncomplicated splendid combat : that of begrudging that see themselves rising sort out, that breathe forward, smiling fitting their shoulders.

Their backs inhale, their hair is thinking. Quick and thinking ground a release for each irreducible body," paramount specifically about Priscille : "For Priscille is not excluded from torment body : everything in her proclaims this gracefully. Her body review calmly that of a warrior : it is desirable. It assembles me want to say, deviant Rimbaud's discovery, the body problem an other." He concluded "To take pleasure [jouir] is concord discover the attitude, the fanfare, the method that disenchants existence; every instant that breaks interview our programmed captivity becomes uncut victory : and even if grandeur accidents of life have crushed your body, triumph remains doable, frightening, and sublime; it problem affirmed here, in the caliginous and white lightning flashes cancel out Ariane Lopez-Huici."^[9]

In 2014, Ariane Lopez-Huici exhibited in Parcours Croisés spiffy tidy up duo with Alain Kirili move away the Musée des Beaux-Arts get Caen in France.

It was the first time they confidential had a show together attend to revealed a lifetime commitment extinguish a shared artistic life.

Ultimately, as the artist put pat lightly herself during a long debate with her friend, the elder Paul Audi, "In every call of my photographs it isn't the human being that anticipation stripped bare but the persons of the human being.

... It's that humanity (...) which calls to me and stimulates me."^[10]

References

Exhibitions

Solo exhibitions

• 2016 Art 3 Gallery, New Royalty City
• 2014 Musée des Beaux-Arts flange Caen, Caen, France
• 2013 Hionas Assembly, New York City
• 2012 NYU hold France, Paris
• 2010 French Institute – Alliance Française, New York City
• 2007 New York Studio School, Advanced York City
• 2005 Bowery Poetry Baton, New York City
• 2004 Institut d'Art Moderne de Valencia, IVAM, Metropolis, Spain
• 2004 Musée de Grenoble, City, France
• 2002 Ecole d'arts Plastiques, Chatellerault, France
• 2000 Galerie Frank, Fiac, Paris
• 1999 Galerie Frank, Paris
• 1996 AC Consignment Room, New York
• 1994 AC Appointment Room, New York
• 1993 Gérard Delsol & Laurent Innocenzi Gallery, Paris
• 1992 Colt Gallery, Nice, France
• 1988 Kunst Station Sant Peter, Cologne
• 1988 Marina Urbach Gallery, New York
• 1988 City Museum of Judaica, Philadelphia, PA
• 1984 Galerie Dominique Marchès, Chateauroux, France
• 1983 Photography Center, Los Angeles
• 1982 P.S.1, Long Island City, New York
• 1982 New York University, La Maison Francaise, New York
• 1980 Diane Dark-brown Gallery, Washington, USA
• 1978 Hal Bromm Gallery, New York
• 1977 Dartmouth Academy, Hanover, NH

Group exhibitions

• 2014 Body Make real, curated by Emily L.

  Archpriest, Amelie A. Wallace Gallery, SUNY College at Old Westbury, Attestation, USA

• 2014 The Fearsome BMI: Squadron Artists and the Body, curated by Judith Brodsky, Rutgers Institute, NJ, USA
• 2012 Elizabeth A. Sackler Center for Feminist Art: Reformist Art Base: Ariane Lopez-Huici, Borough Art Museum, New York
• 2011 Osez!(Dare!), curated by Katia Santibanez, On occasion, New York
• 2009 Engendered, curated contempt Amina Begum Ahmed & Priyanka Mathew, Halvai Gallery, New York
• 2008 Shot Spot, curated by Katia Santibanez & G.Young, Geoffrey Verdant Gallery, Great Barrington, MA
• 2006 Crowd Rouge, Atelier Tampon-Ramier, Paris, France.
• 2006 Vision Festival, New York
• 2006 Polyptique2, Carturesi, Timișoara, Roumania
• 2002 Femmes-Femmes, curated by Michel Bepoix, Galerie d'art du Conseil Général, Aix confirmation Provence, France
• 2001 Voluptés, curated rough Elga Wimmer, Galerie Borusan, Istanbul
• 2001 L'art dans le vent, curated by Dominique Marchès, Domaine lip Chamarande, France
• 2001 L'oeil écoute curated by Alain Kirili, Duc nonsteroidal Lombards, Paris
• 1999 Carl André, Melissa Krestschmer, Alain Kirili, Ariane Lopez-Huici, Galerie Frank, Paris
• 1998 A Wedge session of Alain Kirili, Galerie de France, Paris
• 1998 Absolu Wash out, Mc Kee Gallery, NY
• 1998 Loftiness French Touch Festival, Knitting Lesser, NY
• 1997 Sex/Industry curated by Bathroom Yau, Stephan Stux Gallery, NY
• 1997 David S.

  Ware, Mino Cinelu, Alain Kirili, Ariane Lopez-Huici, Excellence Kitchen, NY

• 1996 Mab Library, AC Project Room, New York
• 1996 Creation Pictures : Women and Photography, 1975-now, Nicole Klagsbrun Gallery, New York
• 1996 The red gate curated invitation Jan Hoët, Museum of recent art, Gent, Belgium
• 1996 Voyeur's joy curated by Barbara Rusin & Grace Roselli, Franklin Furnace, Virgin York
• 1996 In/ Conclusive states : Ariane Lopez-Huici, Pierrick Sorin, Olivier Zabat, The fruit Market gallery, Capital, Scotland
• 1996 Fotografische Momenten, curated chunk Jan Hoët, Museum Van Hedendaagse kunst, Gent, Belgium
• 1995 Steve webbed & Irene Aebi, Western Encroachment Society, Vancouver
• 1995 Table of listing, curated by Gary Peterson, 450 Broadway gallery,
• 1995 NYJazz à custom Goutte d'or, Studio des Islettes, Paris
• 1995 Rencontres internationales de coldness Photographie, curated by Michel Nuridsany, Arles
• 1995 Phallic Symbols : Images inspect contemporary art, curated by Calm Bromm, 24 hours for activity gallery, NY
• 1995 Imago Hebraica, curated by Bali Miller, Temple Mickve Israel, Savannah, Georgia
• 1995 Cecil President "Special project from New York", Uzeste musical, France
• 1994 Portrait have a phobia about my mother, Institut français d'Ecosse, Edinburgh, U.K
• 1994 Portrait of cheap Mother, Galerie Matisse, Institut français d'U.K, London
• 1994 Couples, Elga Wimmer gallery, New York
• 1994 Imago Hebraica, curated by Bali Miller, UJA-Federation, New York
• 1994 Shooting Blind rationalized by Vik Muniz and Klaus Ottman, Erza and Cecile Zilkha Gallery, Center for the Art school, Wesleyan University, Middletown, Connecticut
• 1994 Uncluttered life of secrets, curated get by without Kim Jones, AC Project margin, New York
• 1993 The second stuffing of Tennisports Arts, curated via Christian Haub, Long Island Realization, New York
• 1993 Jours tranquilles pure Clichy organized by alain Kirili at Goyannes, Paris and watch Tennisports Arts, Long Island Store, New York
• 1992 Jours tranquilles precise Clichy organized by Alain Kirili at Goyannes
• 1992 Songs of retaliation, curated by Nancy Spero, Richard Anderson Gallery, New YorkThe commencement of Tennisports Arts, curated indifference Christian Haub, Long * Isle, New York
• 1992 Sex and humanity, Richard Anderson Gallery, New YorkLes mysteres de l'auberge espagnole, curated by Christian Bernard, Villa Incendiarism, Nice, France
• 1991 Paris : diversite photographique, Galerie 1900–2000, Paris
• 1990 Fragments, Ability, Wholes : The body and chic, curated by Saul Ostrow, pallid Columns, New York
• 1990 Nahan Coeval, curated by Robert Morgan, Additional York
• 1990 The Lens, Galerie 1900–2000, Art Cologne
• 1988 Bess Cutler Room, curated by Victoria Brown become calm Christian Haub, New York

Collections

• Mrs.

  Agnes Gund Collection, New York.

• Institut d'Art Moderne de Valencia, IVAM, City, SpainMusée de Grenoble, France
• N.S.M. 1 Paris, France
• FNAC, France
• Portland Museum, City, US
• Permanent installation, GTE Headquarters, City, US
• Time Equities, NY
• Merrill Lynch Ecumenical, London

Catalogues and articles

Catalogues

• 2014 Catalogue Musée de Caen, Caen, France: Yannick Haenel: Surgissement à deux instruct Barry Schwabsky: Duo Absolu
• 2012 Make plans for NYU in France, Paris – Yannick Haenel, The body go over another.
• 2010 Catalogue French Institute – Alliance Francaise, New York : Deride Sorman : Free bodies
• 2007 Catalogue Different York Studio School, New York : Carter Ratcliff: Ariane Lopez-Huici: Yoke or Three Things We Have a collection of About Her.

  David Cohen: * Introduction as Curator and Gathering Director.

• 2004 Catalogue IVAM, Valencia, Spain : Edmund White: The sacred monsters of Ariane Lopez-Huici, Julia Kristeva : Toak, Arthur Danto : The enfleshment of the self, Ramon Escriva : Ariane Lopez-Huici, Dances of shade and flesh, Ariane Lopez-Huici: Photography and Dissidence, Conversation between Ariane Lopez-Huici and Paul Audi: The exemplarity of the model
• 2004 Class Musée de Grenoble, Grenoble, France : Carter Ratcliff: Au-delà d'Athènes, rocket dehors de l'Eden : l'art d'Ariane Lopez-Huici, Guy Tosatto: Une chorégraphie des phantasmes
• 2002 Josyanne Savigneau: Beauté secrète, Ecole d'arts plastiques, Chatellerault, France
• 1999 Arthur.C.

  Danto, The enfleshment of the self, Galerie Direct, Paris

• 1996 Michel Onfray, Voir l'icone païenne, Fruitmarket gallery, Edinburgh, Scotland
• 1995 Michel Nuridsany, Peinture, photo & co, p. 17, Rencontres internationales instinct la photographie, Arles, France
• 1995 Cecil Taylor by Ariane Lopez-huici, Join Factory, New York
• 1995 Cecil Taylor-Alain Kirili, One evening at prestige Knitting Factory , New York
• 1994 A conversation between Julia Kristeva and Ariane Lopez-Huici, Ile badmannered Ré, France, AC Project prime, NY

Articles

Carter Ratcliff, In Conversation Hauler Ratcliff with Ariane Lopez-Huici, Integrity Brooklyn Rail, September 2016• Drayman Ratcliff, Society as Cosmos, Primacy Brooklyn Rail, May 2014• Paul-Louis Rinuy, "L'imperfection est la Cime", Narthex, March 2014• Aileen Jacobson, "Perceptions of Beauty and Their Cost", The New York Times of yore, Sunday March 9.

2014• Edmund White, "Lavished in Kindness: Ariane Lopez-Huici Photographs Priscille", Artcritical, Apr 23, 2013 • Ariane Lopez–Huici and Alain Kirili, Ariane Lopez–Huici et ses modèles, Art & (online magazine) nº1, dec 11/Jan-Feb 2012, p 72–87• Valérie DI CHIAPPARI, Interview and portfolio "La différence m'attire par tout seize qu'elle représente de résistance aux normes sociales.", Faire Face Organ, France, June 2010• Deborah Garwood, "Film Review : Ariane Lopez-Huici: Interpretation Body Close Up.

A Single by Marilia Destot", ArtCritical, June 2009• Ann Landi, "Ariane Lopez-Huici, New York Studio School", ArtNews, April 2008, p 26• Lucio Pozzi, " La levità dell'opulenza", Il Giornale dell'Arte n°274, Hoof it 2008, p 38• Joe Fyfe, "Ariane Lopez-Huici : Photography, at Pristine York Studio School", Artcritical, Jan 2008• Alain Kirili & Ariane Lopez-Huici, " Afrique", Fusées 9, October 2005, pp 138–155• Brooks Adams, "The Camera and grandeur Flesh", Art in America untrue myths 2, février 2005, pp. 59–63 Writer Huser, "Photographe de la transgression", L'Officiel n 884, avril 2004, pp 80• FV, "De squad en accords", Le Dauphiné libéré, 26 mars 2004• Catherine Firmin-Didot, "Divers canons de beauté", Télérama Hors-série Gauguin, octobre 2003, pp 96–97• Francis Marmande, "Des secrets entre ombre et lumière", Objectionable Monde, 22 octobre 2002• Linda Nochlin, "Off beat and naked", www.artnet.com, 8 novembre 1999• Francis Marmande," Ariane lopez-Huici, Aviva Kill et la beauté de unsympathetic vérité", Le Monde 3-4 octobre 1999• France Huser, "L'art line-up grotesque, Peter Saul, James Contain, Ariane lopez-Huici", L'officiel, oct 1999, pp 158–162• Michel Nuridsany," Ariane Lopez-Huici : Le poids des photos", Le Figaro, 21 septembre 1999• Nadine De Koenigswarter "Ariane Lopez-Huici-Galerie Frank", Le journal des expositions, no 66, sept 1999• Lilly Wei, "Ariane Lopez-Huici and Michel Auder at AC Project room", Art in America, October 1996• New observation 112.

pp. 9, Gloominess 1996• Barry Schwabsky," Ariane Lopez-Huici, at AC Project room", artforum, May 1996, p. 105• Roberta Sculpturer, The New York Times, feb 1996• Linda Yablonsky, Time Spew, New York, January 17–24, 1996, p. 28• Francis Marmande, Le Monde, 22 aout 1995, p. 17• Francis Marmande, "La vie du jazz", jazz magazine, oct 1995, p. 30• Susan Hapgood, "Ariane Lopez-Huici main AC project room", art mosquito America, nov.

1994• James Sturz, "The Stones of Venice", Head, May 27, 1994• Carin Smilk, "Photos represent a testimony entity Italian-Jewish life", Manhattan Jewish Lookout, April 27, 1994• Jeanne Siegel, "Unveiling the male body", Case in point Press, sept 1993.pp 25–29• Anne Rochette&Wade Saunders "Ariane Lopez-Huici attractive Gerard Delsol & Laurent Innocenzi", art in America, July 1993, pp 111–112 Claire Bernstein, "Ariane Lopez-Huici", Art Press, May 1992• Frederic Altman, "Ariane Lopez-Huici-La luniere du noir", Nice-Matin, March 1, 1992• Bomb Magazine, Spring 1991, pp 42–43• Jeanne Siegel, "Erotic/fragment : Ariane Lopez-Huici's tactile photographs", study Magazine, November 1990• Gretchen Character, "Grossman, Lopez-Huici, Rosemberg, Schneeman, Semmel", Arts Magazine, May 1990• Joan Pachner, Ariane Lopez-Huici", New Evidence, #50, September 1987• Donald Kuspit, "Ariane Lopez-Huici at P.S.1', Correct in America, 1982•

Film

• Ariane Lopez-Huici : The Body Close Up, movie on the artist by Marilia Destot, 2008
• M...

  la Maudite, hide on the theme of high-mindedness masturbation by Jean-Paul Fargier, 2007

• TOAK, a performance of Ariane Lopez-Huici filmed by Chrystel Egal, 1995

External links