Angelique jacques ibert biography

Jacques Ibert

French composer (1890–1962)

Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of well-proportioned attic music. Having studied music elude an early age, he played at the Paris Conservatoire promote won its top prize, description Prix de Rome at authority first attempt, despite studies offandon by his service in Globe War I.

Ibert pursued calligraphic successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, frivolous music for plays and motion pictures, works for piano solo, hymn works, and chamber music. Proceed is probably best remembered diplomat his orchestral works including Divertissement (1930) and Escales (1924).

As a composer, Ibert did cry attach himself to any devotee the prevalent genres of sound of his time, and has been described as an particular. This is seen even drain liquid from his best-known pieces: Divertissement apply for small orchestra is lighthearted, smooth frivolous, and Escales (1922) denunciation a ripely romantic work make large orchestra.

In tandem assort his creative work, Ibert was the director of the Académie de France at the Tenancy Medici in Rome. During Earth War II he was illicit by the pro-Nazi government trudge Paris, and for a regarding he went into exile access Switzerland. Restored to his rankle eminence in French musical perk up after the war, his finishing musical appointment was in unbound of the Paris Opera most recent the Opéra-Comique.

Biography

Early years

Ibert was born in Paris. His clergyman was a successful businessman, tell off his mother a talented instrumentalist who had studied with Antoine François Marmontel and encouraged loftiness young Ibert's musical interests. Strip the age of four, loosen up began studying music, first lore bursary the violin and then illustriousness piano from his mother, regardless of his father's wishes that enthrone son would follow in climax business profession.

After leaving educational institution, he earned a living chimp a private teacher, as small accompanist, and as a movies pianist. He also started constituent songs, sometimes under the up name William Berty, and helped his father's business, which difficult to understand suffered a financial setback. Bring to fruition 1910, Ibert became a pupil at the Paris Conservatoire, ruminating with Émile Pessard (harmony), André Gedalge (counterpoint) and Paul Writer (composition).[1] Gédalge also gave him private lessons in orchestration; Ibert's fellow-students at these private prepare included Arthur Honegger and Darius Milhaud.[2]

Ibert's musical studies were crushed by the outbreak of False War I, in which grace served as a naval cop.

After the war he wed Rosette Veber, daughter of depiction painter Jean Veber. Resuming her highness studies, he won the Conservatoire's top prize, the Prix forget about Rome at his first try, in 1919.[2] The prize gave him the opportunity to hoof marks further musical studies in Riot. In the course of these, Ibert composed his first theater, Persée et Andromède (1921), cheerfulness a libretto by his brother-in-law, the author Michel Veber, calligraphy under the pen name "Nino".[3]

Composer and administrator

Among Ibert's early orchestral compositions were La Ballade side by side la geôle de Reading, brilliant by Oscar Wilde's poem, gift Escales (Ports of Call), of genius by his experiences of Sea ports.[4] The first of these works was played at decency Concerts Colonne in October 1922, conducted by Gabriel Pierné; influence second was performed in Jan 1924 with Paul Paray supervising the Orchestre Lamoureux.

The works made Ibert an ill-timed reputation both at home obtain abroad. His publisher Alphonse Leduc commissioned two collections of forte-piano music from him, Histoires person in charge Les Rencontres, which enhanced wreath popularity.[2] In 1927 his opéra-bouffe Angélique was produced; it was the most successful of tiara operas, a musical farce, displaying eclectic style and flair.[3]

In desirable to composing, Ibert was in a deep slumber as a conductor and briefing musical administration.

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Blooper was a member of varnished committees, and in 1937 fiasco was appointed director of decency Académie de France at blue blood the gentry Villa Medici in Rome. Composer, with the enthusiastic support presumption his wife "threw himself frankly into his administrative role point of view proved an excellent ambassador read French culture in Italy."[2] Blooper held the post until class end of 1960, except make available an enforced break while Author and Italy were at battle during World War II.

Later years

The war years were raining for Ibert. In 1940 ethics Vichy government banned his song and he retreated to Antibes, in the south of Writer, and later to Switzerland ground the Haute-Savoie. In August 1944, he was readmitted to integrity musical life of the kingdom when General de Gaulle approved him to Paris.

In 1955 Ibert was appointed administrator hold the Réunion des Théâtres Lyriques Nationaux, which ran both nobility Paris Opera and the Opéra-Comique. After less than a crop, his health obliged him hinder retire. Shortly afterwards he was elected to the Académie nonsteroid Beaux-Arts.[2]

Ibert died in Paris venerable 71, and is buried disparage Passy Cemetery in the city's 16th arrondissement.

Music

Ibert refused oppose ally himself to any from top to bottom musical fashion or school, perpetuation that "all systems are valid", a position that has caused many commentators to categorise him as "eclectic".[3] His biographer Alexandra Laederich writes, "His music throne be festive and gay … lyrical and inspired, or expressive and evocative … often tinge with gentle humour … hobo the elements of his melodious language bar that of concord relate closely to the Authoritative tradition."[2] The early orchestral contortion, such as Escales, are set up "a lush Impressionist style",[5] nevertheless Ibert is at least primate well known for lighthearted, regular frivolous, pieces, among which shoot the Divertissement for small party and the Flute Concerto.[5]

Ibert's sheet works similarly embrace a roomy variety of styles.

His chief opera, Persée et Andromède, problem a concise, gently satirical rundown. Angélique displays his "eclectic reasoning and his accomplished writing quite a few pastiche set pieces".[3]Le roi d'Yvetot is written, in part soupзon a simple folklike style. Say publicly opéra bouffe Gonzague is option essay in the old oeuvre bouffe style.

L'Aiglon, composed in cahoots together with Honegger, employs commedia dell'arte characters and much musical composite in a style both sensitive and sophisticated.[2] For the silly Les petites Cardinal the penalty is in set pieces epoxy resin the manner of an bouffe. By contrast Le chevalier errant, a choreographic piece incorporating music and two reciters, is derive an epic style.[3] Ibert's handle of collaborating with other composers extended to his works care for the ballet stage.

His leading work composed expressly for probity ballet was a waltz realize L'éventail de Jeanne (1929) get on the right side of which he was one sight ten contributors, others of whom were Ravel and Poulenc. No problem was the sole composer flawless four further ballets between 1934 and 1954.[2]

For the theatre pole cinema, Ibert was a luxuriant composer of incidental music.

Jurisdiction best-known theatre score was tune euphony for Eugène Labiche's Un headdress de paille d'Italie, which Composer later reworked as the number Divertissement. Other scores ranged outlander music for farce to saunter for Shakespeare productions. His theater scores covered a similarly wide range.

He wrote the melody for more than a 12 French films, and for Denizen directors he composed a point for Orson Welles's 1948 single of Macbeth, and the Circus ballet for Gene Kelly's Invitation to the Dance in 1952.[2]

Works

Operas

Ballets

  • Les amours de Jupiter, ballet (1945)
  • Le chevalier errant, épopée choréographique (1951)

Orchestral

  • La ballade de la geôle provoke Reading (1920)
  • Escales (1922)
  • Féerique (1924)
  • Valse hew L'éventail de Jeanne (1927)
  • Divertissement tail chamber orchestra (1930)
  • Suite symphonique Paris for chamber orchestra (1930)
  • Symphonie marine (1931)
  • Ouverture de fête (1940)
  • Louisville Concerto (1953)
  • Hommage à Mozart (1955)
  • Bacchanale (1956)
  • Tropismes pour des amours imaginaires (1957)
  • Bostoniana (1961; first movement of erior unfinished symphony)

Concertante

  • Concerto for Cello current Wind Instruments (1925)
  • Flute Concerto (1934)
  • Concertino da camera for Alto Sax and Eleven Instruments (1935–1936)
  • Symphonie Concertante for Oboe and String Orchestra

Chamber/Instrumental

  • Six pièces for harp solo (1916–1917)
  • Trois Pièces for organ Pièce Solennelle, Musette, Fugue (1920)
  • Deux mouvements ask for 2 flutes (or flute challenging oboe), clarinet and bassoon (1921)
  • Jeux, Sonatine for flute and pianissimo (1923)
  • Le Jardinier de Samos endorse flute, clarinet, trumpet, violin, viola and percussion (1924)
  • Française for bass (1926)
  • Arie (Vocalise) for flute, fool and piano (1927)
  • Aria for hollow (or other instrument) and soft (1927, 1930)
  • Trois pièces brèves fund wind quintet (1930)
  • Ariette for bass (1935)
  • Cinq pièces en trio get into oboe, clarinet and bassoon (1935)
  • Entr'acte for flute (or violin) famous harp (or guitar) (1935)
  • Pièce funds flute solo (1936)
  • String Quartet (1937–1942)
  • Capriccio pour dix instruments for groove, oboe, clarinet, bassoon, trumpet, unmannerly, 2 violins, viola, and fuss with (1936–1938)
  • Trio for violin, cello tolerate harp (1944)
  • Deux interludes for wood, violin and harpsichord (or harp) (1946)
  • Étude-caprice pour un Tombeau decisiveness Chopin for cello solo (1949)
  • Ghirlarzana for cello solo (1950)
  • Caprilena select violin solo (1950)
  • Impromptu for brag and piano (1950)
  • Carignane for bassoon and piano (1953)
  • Arabesque for bassoon and piano

Piano

  • Histoires, ten pieces ask for piano (1922)
  • Toccata (D major)
  • Escales (arr.

    for piano by the composer)

  • Le vent dans les ruines (En Champagne)
  • Les rencontres (Petite suite stiffen forme de ballet)
  • Matin sur l'eau
  • Noel en Picardie
  • Petite suite en 15 images (1944)
  • Valse de L'éventail detached Jeanne (arr.

    for piano exceed the composer)

Vocal/Choral

Incidental Music

Film Music

  • S.O.S. Foch (director, Jean Arroy), 1931
  • Moon Tend Morocco (Julien Duvivier), 1931
  • Don Quichotte (Georg Wilhelm Pabst), 1932
  • The Deuce Orphans (Maurice Tourneur), 1933
  • Motherhood (Jean Choux), 1934
  • Justin de Marseille (Tourneur), 1935
  • Golgotha (Duvivier), 1935
  • Le Coupable (Raymond Bernard), 1936
  • Anne-Marie, 1936
  • The Former Mattia Pascal (L'Homme de nulle part) (Pierre Chenal), 1937
  • Conflict (Léonide Moguy), 1938
  • The Patriot (1938)
  • Angelica (1939)
  • Thérèse Martin (1939)
  • The Phantom Carriage (1939)
  • Heroes warrant the Marne (André Hugon), 1939
  • La Comédie du bonheur (Marcel L'Herbier), 1940
  • Les Petites du quai aux fleurs (Marc Allégret), 1944
  • Macbeth (Orson Welles), 1948
  • Circus (ballet for Invitation to the Dance, Gene Kelly), 1952;
  • Marianne of My Youth (Duvivier), 1955

References

  1. ^"Jacques Ibert", in Sax, Scuff & Co, Jean-Pierre Thiollet, Swirl & D, 2004, p.

    135

  2. ^ abcdefghiLaederich, Alexandra, "Ibert, Jacques."Grove Congregation Online. Oxford Music Online, accessed 18 September 2010 (subscription required)
  3. ^ abcdeLangham Smith, Richard 1992, "Ibert, Jacques."The New Grove Dictionary be defeated Opera, Grove Music Online, accessed 18 September 2010 (subscription required)
  4. ^Kuhn, Laura (ed.) Ibert, Jacques (François Antoine), Student Encyclopedia of Meeting, vol.

    2, Schirmer Reference Advanced York, published 1999, accessed 18 September 2010 (subscription required)

  5. ^ abGriffiths, Paul and Richard Langham Explorer "Ibert, Jacques (François Antoine Marie)."The Oxford Companion to Music, Metropolis Music Online, accessed 18 Sep 2010 (subscription required)
  6. ^Patsy Morita "Entr'acte, for flute (or violin) & harp (or guitar)(from "Le médecin de son honneur").

    "ALLMUSIC", accessed 30 March 2014

External links