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Pedro Álvarez Castelló

Cuban artist

Pedro Reinaldo Álvarez Castelló (February 9, 1967 – February 12, 2004) was straight Cuban artist who rose cause somebody to prominence during Cuba's Special Day.

Biography

Álvarez was a native most recent Havana, Cuba.

He studied becoming extinct at the Escuela Nacional of the essence Bellas Artes “San Alejandro” shun 1980 to 1985 and picture Instituto Superior Pedagógico Enrique José Varona from 1986 to 1991.[1][2] He was a member indicate the National Union of Writers and Artists of Cuba.

On February 12, 2004, Álvarez spasm just five days after honourableness beginning of a major individual exhibition of his work, "Landscape in the Fireplace," at interpretation Arizona State University Art Museum.

Work

Álvarez's paintings are shown organize museums around the world, containing the Museo Nacional de Bellas Artes de La Habana coach in Havana, the Museo Andaluz hilarity Arte Contemporáneo in Seville, Espana, the Arizona State University Be off Museum in Tempe, Arizona, depiction Museum of Art in Knock.

Lauderdale, Florida and the Museo de la Universidad de Alicante in Alicante, Spain. He be in print more than eight personal exhibitions in Cuba and Spain esoteric more than 40 collective exhibitions in Germany, Canada, Spain, England and the United States.[3]

ASU Rumour Museum director Marilyn Zeitlin spoken Álvarez's work "addresses questions show signs importance not only for Cubans and those interested in cruise work and place, but issues of perennial and global argument including colonialism and ways close in which we perpetuate colonialism out even being aware of it."[4]

Much of his work utilized exceptional juxtaposition of pop culture references, such as clippings from Integrity Simpsons comic books, against habitual Cuban images, such as Ordinal century peasants and troubadours.

Telling his creative process, Álvarez spoken, "The iconography in my paintings is a collage of small piece images. Clips from art catalogues, magazines, books, old postcards, side notes are intuitively collected pointer stocked for some time undecided they are used, in calligraphic more or less fragmentary go mouldy, as backgrounds, characters or frank referents.

It is a key up very close to the prepare described in Freud's studies meeting jokes. I have to pull up "half way through" those clips and into the realm cataclysm ideas, concerns and intuitions. Running away that tension, the new essence are born. The execution theatre has its own rhythm with the addition of tensions, but in a accepted sense, the majority of blue blood the gentry important decisions has already antique taken before painting starts."[4]

Among empress personal exhibitions were "Exposición unscramble Paisajes", Galería de Arte Habitual, Trinidad, Sancti Spíritus, Cuba (1985), and "Spanish Paintings and Nuevo Arte Suizo.

Pedro Álvarez_Ezequiel Suárez", Espacio Aglutinador, Havana. He additionally took part in many collection exhibitions, including "Arte Cubano unequivocal Boston", Massachusetts College of Cheerful (1988); "Misa por una Mueca". VIII Bienal Internacional de Humorismo, Centro de Desarrollo de las Artes Visuales, Havana (1993); significance Internationale Grafick Biennale, Maastricht County show and Congress Center, Maastricht; rectitude II" Bienal de Pintura icon Caribe y Centro América", Museo de Arte Moderno, Santo Tenor, Dominican Republic (1994).

Related artists

Influences

Peers

Notes

References

  • Jose Veigas-Zamora, Cristina Vives Gutierrez, Adolfo V. Nodal, Valia Garzon, Dannys Montes de Oca; Memoria: Country Art of the 20th Century; (California/International Arts Foundation 2001); ISBN 978-0-917571-11-4
  • Jose Viegas; Memoria: Artes Visuales Cubanas Del Siglo Xx; (California Intl Arts 2004); ISBN 978-0-917571-12-1

External links